Georgina and her sisters were educated at Twillingate. Most also received musical training from an early age, and their father, recognizing the need for a well-rounded education, and his daughter’s natural musical talents, acquired two pianos, a violin and a flute for their use. By the time she was 15, Georgina was playing the organ at church services and playing and singing at local concerts.
Ann Peyton died on August 9, 1882, when Georgina was just a teenager. The following year, her father arranged for her to attend the Toronto Ladies’ College, where she spent several years studying liberal arts, including music. She returned to Twillingate around 1885, where she continued to sing and play at religious and social gatherings and to be involved in community work.
William Stirling was both a believer and promoter of his daughters’ talents. In the fall of 1888 he arranged for her to travel to Paris to receive voice training. An audition with renowned voice teacher, Mathilde Marchesi, resulted in an invitation to attend Marchesi’s school in Paris.
In 1890, while performing at one of Marchesi’s concerts, Stirling’s voice caught the attention of an Italian impresario, who invited her to join a Milan opera company. It has been claimed that she made her debut at Milan’s La Scala opera house. She spent the next year with that company before returning to Paris and more study with Marchesi. In the summer of 1892, Stirling returned to Twillingate for the first time in four years. There she was welcomed and honoured for her accomplishments, many of which had been reported in the local newspaper The Twillingate Sun. While there she sang at the flower services for St. Peter’s and St. Andrew’s Anglican Church.
In October, Stirling left Twillingate for Europe. On a short stop-over in St. John’s she sang several numbers, including “Ave Maria,” at a divine service held at the Roman Catholic Cathedral of St. John the Baptist, with Bishop Power in attendance. Her singing received laudatory reviews in the local papers.
The 1892-1893 season was to be Stirling’s last with Marchesi. She made her Paris grand opera debut in 1892 and also made a return visit to St. John’s where she performed at the Methodist College Hall. The following year she spent performing in England. She also adopted the stage name “Marie Toulinguet” at this time. The next five years where to be busy ones for Georgina Stirling. After spending the 1894-1895 season touring England, she visited Twillingate, followed by several concerts at St. John’s on her way back to Europe in the fall of 1895.
In 1896 Stirling accepted an invitation from the impresario Colonel J. Henry Mapleson to join his New Imperial Opera Company based in New York. In St. John’s, on her way to New York, she participated in the dedication service for the newly constructed Gower Street Methodist Church.
Stirling’s debut with the New Imperial Opera Company was a resounding success, with laudatory reviews in New York, Philadelphia and Boston newspapers. Unfortunately, the company ran into financial difficulties and was forced to close mid-season, leaving its performers stranded. Stirling was able to obtain a number of singing engagements in eastern USA cities during the winter of 1896-1897.
|